The red-winged fairywren (Malurus elegans) is a species of passerine bird in the Australasian wren family, Maluridae. It is non-migratory and endemic to the southwestern corner of Western Australia. Exhibiting a high degree of sexual dimorphism, the male adopts a brilliantly coloured breeding plumage, with an iridescent silvery-blue crown, ear coverts and upper back, red shoulders, contrasting with a black throat, grey-brown tail and wings and pale underparts. Non-breeding males, females and juveniles have predominantly grey-brown plumage, though males may bear isolated blue and black feathers. No separate subspecies are recognised. Similar in appearance and closely related to the variegated fairywren and the blue-breasted fairywren, it is regarded as a separate species as no intermediate forms have been recorded where their ranges overlap. Though the red-winged fairywren is locally common, there is evidence of a decline in numbers.

Bearing a narrow pointed bill adapted for probing and catching insects, the red-winged fairywren is primarily insectivorous; it forages and lives in the shelter of scrubby vegetation in temperate wetter forests dominated by karri trees, remaining close to cover to avoid predators. Like other fairywrens, it is a cooperative breeding species, with small groups of birds maintaining and defending small territories year-round. Groups consist of a socially monogamous pair with several helper birds who assist in raising the young. There is a higher proportion of female helpers recorded for this species than for other species of fairywren. A variety of vocalisations and visual displays have been recorded for communication and courtship in this species. Singing is used to advertise territory, and birds can distinguish other individuals by song alone. Male wrens pluck yellow petals and display them to females as part of a courtship display.

Elizabeth Gould, née Coxen (1804—1841), was a British artist and illustrator at the forefront of the natural history movement. Elizabeth traveled and worked alongside her husband, naturalist and author John Gould. She produced illustrations and lithographs for ornithological works, including plates in Darwin's The Zoology of the Voyage of H.M.S. Beagle and the Goulds' seminal work The Birds of Australia. In total, Elizabeth is accredited to at least 650 works. While in Australia, Elizabeth made hundreds of drawings from specimens for the publications Birds of Australia and A Monograph of the Macropodidæ, or Family of Kangaroos, as well as illustrations for the ornithology volume of Charles Darwin’s Zoology of the Voyage of HMS Beagle